Sympathetic writing from a group I hate

December 29th, 2011

Cat challenged us in the second class to write a 250 word blurb which is sympathetic to a group we hate.  Here’s my entry.

Love.
That’s all most human beings really want.  No matter how torn, how bent, how frustrated they can are.  No matter what trauma they have gone through in life.  Humans, at the core, are social animals, and the most rewarding portion of social interaction is love.
Some people must be particularly choosy about who they love, and also how.  There are a wealth of people in the world who will take any advantage they can on the well disposed, robbing them, taking property or money, or even seeking to do bodily injury for something they don’t agree with.  These people have little recourse but to turn towards procuring a subject to love in a way that has sizeably less risk.
This is where the flesh trade becomes useful.  We provide for the needs of the wealthy and disconnected, those who have legitimate reason to fear for their lives and can not simply go out and meet people in bars.  Some can not experience love without being also in a position of power, a position of absolute dominance, because trust is something so completely alien to them.  Others are simply too socially awkward and have, shall we say, too exotic of tastes to be soothed with the typical expenditures associated with woo’ing someone.  We allow these unfortunate fortunates to find the love they desire.
We help them find the love they can not.
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Writing with a certain tone: Chaos

December 29th, 2011
This exercise was a lot of fun.  Cat challenged us to, in 5 mins, produce a small work that described an emotional tone without actually using the term or coming straight out and saying it.
My choice was (how about a melodramatic drum roll?):: Chaos
A boom, a crash, a gigantic thundernoise, and I felt my mommy’s hand ripped from mine.  A forest of legs was all I could remember seeing, unending and intimidating.  A forest of legs, and none of them I knew.  My young voice was hoarse from calling out, “Mommy!  Daddy!”  But none paused, none halted, none stopped to help.  Something hit me from behind, and I sprawled forward across one of those hard, plastic, painful to sit on benches that were scattered all over to give no comfort but at least some rest.  I stood up, looked around, almost at head height with the adults around me.
Everyone was moving so quickly, and I couldn’t figure out why.  I wasn’t a dumb child, but I couldn’t hear anything above all the alarms and the yelling.  I heard other children out there, lost as I was, screaming just as I was… was anyone stopping to help them?  I saw the back of daddy’s cowboy hat in the crowd and shrieked as best I could, only to see him leave with the rest of the pressing throng.
The crowds swept around me on my little island as I continued to beg my absent parents for help they either wouldn’t or couldn’t give.  I heard another gigantic thundernoise, just like the one before all of this started and I turned to look up the main avenue of the Mall of America towards where Camp Snoopy used to be.  A reptilian leg more immense than I can describe crashed down through the roller coaster, obliterating it, and I knew running was worthless.
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Timed Writing Exercise 3: The cat was playing the fiddle

December 27th, 2011
The cat was playing the fiddle.

Johnny was asleep, and who wouldn’t be after such a rough week?  The whole state of Georgia knew about the contest, everyone was celebrating.  Fire works over every neighborhood, costumes on every corner, and the ice cream vans out in full force supplying cold treats in the warm southern heat.  Johnny was asleep, and while he was, the cat played the fiddle.

A cat does not normally have a tenable position towards fiddle playing.  Paws are not quite made for gripping a bow, and don’t even get me started on the strings, but I know what I saw, and I saw that damn cat playing the fiddle.  It stood in the old, cracked bay window as proud as could be, on its hind legs, and it strolled back and forth across the sill, twisting notes from that golden instrument.  All around the yard, children stood, jaws agape, amazed at the music, most of them dancing, already forgotten about the feline that was doing something quite unfelonious.

I could almost hear the devil gnashing its teeth in rage, stomping around in a lake of fire so far below.  He musta been mighty ornery to have lost the dang thing.  It’s a beautiful piece of work, that fiddle.  Anyone would want it, but no one could have it.  No one except for Johnny, and, it seemed, his cat.

The music went on through the night, with the cat never ceasing the tune.  It would sway, change, mutate, turn into some other song out of a child’s dream, but never really did it cease.  Children outside fell asleep as they were licking cold iced treats and dancing, going on to dream about things far more sane than a cat playing a golden fiddle.

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Timed Writing Exercise 2: Future tense

December 27th, 2011
Future tense timed writing:
You don’t understand.  You can’t, you don’t get it, and I get that.  I understand.  I think.

Your world’s going down, like an old thinkpad that can’t quite handle the updates.  It’s going down, and it’s up to you to bring it back up again.  There’s not much else to it.  Your world is ending, in short order, and I can’t stop it.  No one can stop it.  No one but you.  But you don’t understand.

I suppose if you understood why it’s going down, you probably wouldn’t do it.  You wouldn’t bring it back.  You’d be too frightened that history would repeat itself, and most likely, it will.  I can’t really tell from here.  All I can tell you is that you don’t understand, but that you have to do it.

Like a guy in a nuclear power plant who was never trained for his job, but who knows that if that buzzer sounds and that button isn’t pressed, that Very Bad Things will happen.  Or that guy from LOST.  Just doing the thing they’re supposed to be doing because they know they should, because if they don’t, it gets worse… whatever it is.  That’s you.  I’m telling you you need to do what you think you should.  What comes natural.  Just be you, and you’ll save your world.

Or don’t, and you won’t.  I think you will.  I think everything will go on, not the same as it was, but it’ll go on.  After that, then you’ll understand.

And after you understand, you’ll hate me.  And for that, I’m sorry.

But that’s the way it has to be.

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Timed Writing Excercize 1: When Death’s clowns came for me

December 27th, 2011
When death’s clowns came for me:

I sat in the big top, staring up the snout of the mammoth grey beast that stood victorious over me.  Not enough peanuts, I’d said.  Not enough.  I had enjoyed it, the look of rage in its eyes, the hunger, the savagery, the bestial desire for such a trite little snack.  I flaunted.  Roasted, salted, plain, shelled, unshelled, it didn’t matter.  Endless circuses I’d attended.  Endless beasts I had engraged.  Always another laugh.  Always another.

The show had been long, longer than I usually sat for.  I’d grown tired.  My lungs hurt from the heckling, my arm stung from the waving of the bag.  Eventually Epitimus had stomped over across that old dirt floor, breaking the ring as the Master of Ceremonies screamed commands.  He’d tromped straight at me, and I’d laughed.  I’d thrown a single peanut into the air, to celebrate his spirit.

The stands thundered below me as the stands broke under the assault, his mighty schnoz pounding into the old and weathered railing, cracking it down.  I’d felt gravity shift, slowly claiming me.  I’d tumbled past an old fat man in a pointy hat, facepaint, makeup, he’d laughed… and then I’d realized that he was the keeper.  He was the one who was in charge of securing the shackle on the mighty grey beast.

I sat in the big top, on the ground, staring up at the snout of the mammoth grey beast that stood victorious over me.  The clown laughed as his finger hooked my soul, and pulled me into the roaster he had on his belt.  Within moments, I was no longer a man, but a salty brown snack to be given to the mighty victim of my foolish and childish desires.

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On Writing with Cats

December 15th, 2011

So last night I had the glorious opportunity to take a class with Cat Rambo, an online writing workshop that focuses on short stories.

I’m going to get my rampant bitching out of the way first, because seriously, the class was a monstrously positive thing… and I’m not going to taint it too horribly with my typical rant and slash style of writing.

Here’s my problem:  I have a really, really, really shitty laptop.  So if anyone wants to give me a free one, that’d be awesome.  The problem is that this laptop is so crappy that it distorts audio and video every 15 to 45 seconds when using a microphone and/or webcam.  Video seems to make out the better of the two, as it will just momentarily hang and hitch and then jerk into motion.  Audio, however, gets completely mangled.

The good thing about this is that Cat actually commented on it and gave me the seed for a story that I really want to write right now.  Her comment was “You sounded like you were being swallowed by a demon made of church bells.”  Pretty awesome, right?  I thought so to.  Expect to see this go somewhere sometime soon.

I thought the problem at first was my bandwidth.  It wasn’t.  It had to be the computer.  So I’m going to try from my desktop next time, see how that works.  That pretty much ends my bitching.  Pretty cool, huh.

The course itself was held on a Google hangout, the first time I’d ever used one of them.  Nice interface.  Slick.  It felt like we were actually a bunch of disembodied heads floating around in a formless void talking.  Ironically, this is what Cat said a bad short story would sometime sound like from the perspective of an editor.  So in effect, we created a horrible short story while all cooperatively working on becoming better at writing short stories.  Kind of an Armageddon-y skill tweak style of gain, I guess you could say.

We started off simply enough.  Getting to know everyone through small ‘bio’ style intros and all of us giving an idea of what kind of story we wanted to write as we chomped through the workshop.  I said some things, no one understood them except for Cat.  Either that or she’s a marvelous actress.  I believe it is most likely both of those things.

From there we progressed to some pretty easy to remember things that are going to drastically improve our writing styles.  She also stated an immutable truth… writing is one of the few things that you can’t really not improve at (Yay double negatives!!!) as long as you keep thinking about it.  If you’re thinking about writing, and how you write, and how you can improve, you’re going to improve, especially if you’re writing while you do it.  I will level up thanks to this class.

If Cat doesn't kill me for posting this.

When I was done with the class, I felt *TERRIFIC*!!  Really, really amazing.  I felt like I had done something.  Like I had improved.  My mind was awhirl with ways I could take some of the stories I was working on.

Apparently, I was grinning like a madman… or at least smiling like a relatively partially sane one.  Ginger looked across at me and her face did this like christmas-lighty thing.  I swear it made a *bling* sound as she smiled in return.  She said it was great to see that expression on my face.

And you know what, she’s fucking right.  It *IS* great to feel so damn positive about my creative works.

What really got me going, and I’m seriously not trying to brag here…

Srsly. I'm 18 different flavors of humble and shit.

… but the timed writing pieces I got done were kinda massive compared to what everyone else was doing.  We had five minutes.  As most of you who actually know me do know, I can positively urinate words when I start typing.  My fingers?  They are the fast.  I would crank out three or four paragraphs… and then not be able to read them because my damn audio stunk so badly.

So I might just post them here.

For you.

My loving, and awesome readers.

For you.

If you comment back, ON HERE, saying you want to read them…

Comments plzzzzzz... or I eat your childhood dreams.

Comments on facebook don’t count.  Fuck facebook.

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The Delicate Art of Serial Road Rage

December 7th, 2011

So I’ve noticed something.  When I’m at home, I’m pretty laid back.  I like my bathrobes.  I like my video games.  I like my smokes, and my white russians, and my frumpy goatee/half-beard.  I have a rug.  I chill.  Even when I get riled up, it’s usually because some jerkface either twinked out on Armageddon, or some buttnugget pwned me with a damn lascannon from across the map on Space Marine.  It’s pretty hard to get my dander up.  Basically, I’m this guy:

This Aggression towards Art Nouveau Will Not Stand!

But you take me, and you put me behind the wheel of a several hundred pound piece of high speed steel and glass powered by long dead liquid dinosaur, and shit changes, jack.  It changes fast.  I don’t know what a hackle is, or where it is, but I get them, and they raise.  If I have dander, it goes up.  I hear the ancient war drums of my long dead ancestral peoples thundering in my ears, and I can taste the blood in the water.  Like a boar released into the wild, my fur becomes bristly, my nails elongate, my teeth begin to gnash, to chomp, to crush, to rend and to tear… and I am something so far past human that not even Chuck Norris can stop me.  With one turn of the key, I go from mild mannered middle aged guy, to Kharne the Betrayer, Devourer of Souls and Taker of Skulls for the Skull Throne.

Except in a Kia Rio, apparently.

So as I was driving to work today, amidst a groundswell, nay, a litany of profanity, I realized… I need this.  It may not be healthy, it may raise my blood pressure, it may do bad things to my innards, it may make me think irrationally, but in the long run, I need this.  I need it big time.  Kinda like a twinkie after the nuclear apocalypse.  Or the zombie apocalypse, if you’re Woodie Harrelson.

Without my morning Twinkie of Road Rage, I can be a real dick.

So I’m honestly very happy that I’m such an expert road rager.

And I’m pretty sure some of you out there are as well.  Hell, I’ve ridden with a few of you who may read this that can really bust out the vicious lingo when someone strays 2.2 nanometers too close to your car, or when you are forced to pass on the right because Granny McCrudgeon is on her cell phone finding out that Sparky miterated on her favorite rug, man.

However, there is a line.  There is a very, very serious and sometimes deadly line, that a lot of people don’t know how to stop from crossing.  They either fear the line, or they get a rush from leaping across it like a pole vaulter on repulsor gel.  This line, and it is visible from fucking space, is the line of Absolute Aggression.  Road Rage is containable.  It is containable by the windows of your car, by the space of your tires, by the control you have over your vehicle and the volume of your sound system.  Absolute Aggression, however, is what happens when you bypass that line and you become a fuckwet who is dangerous to themselves and many others.

When you pass that line, you start to use your vehicle as an expression of your anger.  You swerve back, you create dangerous situations for your fellow drivers, you tailgate purposefully or you pull in front and you slow way the fuck down just to be a dick.  And I’m not talking about like a slow 5 mph decrease, I’m talking about zipping up front and slamming on the brakes.  You create a situation that can actively damage another human being in a very real and lasting way.  And that, sir, is bullshit.

Most people, when feeling Road Rage, will choose to glare or growl or just breathe hard… they will not dance with the Red Monster.  They avoid it.  But that anger, it still dwells, and still festers, and eventually it gets released on something else.  Someone at work.  A snarky comment here or there that wasn’t needed.  Or worse, it builds and it stacks on several other comments until it causes a pillar o’ doom that is leaning over, just waiting to topple on someone they love.  And when it does, all that bile, all that vitriol, all that contained hatred explodes in a gout of nitro-fueled anger towards a target that truly doesn’t deserve it.  An appliance that doesn’t work right gets broken.  A controller gets hurled.  That’s the lucky explosion.  If it’s unlucky, it’s on a pet, or a friend, or a family member, or a lover… and the damage can be truly horrific.  All because you don’t know how to properly focus your rage meter.

Do not Super Combo your loved ones.

So please, by all means, explore your rage when you’re in your vehicle, but keep in mind that you are in a VERY dangerous situation if you lose your focus and your control.  Let the profanities, or even the “gosh darns” and the “dagnabbits” fly from your lips at supersonic speeds.  Coat your odometer with the spittle of your anguish.  Shift your manual like you’re snapping someone’s neck… but keep fucking control.  Do not zig.  Do not even for a moment zag.  Do not cause a dangerous situation for anyone else on the road.

Because no matter how dumb, how mean, how moronic, how oblivious, or how completely deserving of your unholy fires of untold wrath that person is in the Yugo next to you… someone loves them.

Have respect for your fellow drivers outside of your car.

But on the inside, let loose the canines of conflict.

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The Monster’s Dilemna

September 13th, 2011

It was eight in the morning, the rain came down like nails on the old, rotting roof, and everything hurt.  The house itself hurt, the ancient and decaying wood was pregnant with water and mold, doors hadn’t fit properly in years, broken windows stared out at the crumbling road like blinded, broken eyes.  The wind seemed to moan its own deep inner pain, weeping its way across the forgotten garden, through the hollow and rusting bones of the old swing set, to pound itself relentlessly and uselessly against a house which has already decided to collapse, needing no extra help.  The sky cried endlessly, sometimes the slow, grim drizzle of a greying day, others the hard, furious pounding of an estranged lover, fighting desperately to beat their way back into a closed heart.
Among it all, the monster hurt the most.  Every motion was misery, every breath of broken glass, every step on shattered feet, even blinking, and drinking, and thinking took an angry toll.  The monster, created out of goodness, created to help, to assist, to ease the pain of a burdened life, had ended up being a creature of ruin, and now dwelt within that very place.
The kitchen table lay shattered below the broken ruins of the creator.  One fell night, who knows how long ago, a blow had been struck too harshly upon the monster, and patience was finally lost.  Unknowing of its own strength, the monster had lashed out.  Claws had rent, teeth had slashed, limbs had pulled, bones had popped, and organs had failed.  Eventually, there was silence save for the ever falling rain, the motion of liquid mirrored on the monster’s twisted features as it stared at the wreckage of the only person it had ever known, unsure of how to fix what it had done.
The house began to die soon after.  The monster knew enough about the chores to keep some parts serviceable, but the creator had always managed the larger portions.  A swept floor did nothing when a tree limb broke outside and smashed through a window.  For days, the monster swept the same six foot span of flooring, fighting the ceaseless rains that swept through, the broom making the same swish-swish sound with every pass as more rains fell.  Under the passage of the broom, the floor still warped and grew tumorous, uncaring of the tending of the monster’s feeble skills.
One by one, the lights popped and failed, each one letting out a faint click-ting as the filament, strained by years of constant use, finally failed like a tiny, glowing heart that explodes under too much grief.  The last to go was the bathroom light, a small curled and spiralled thing that kept on going years after the last of its compatriots had fallen to ruin.  That one light allowing the lonely monster the misery and company of its own reflection from a stained and time-greyed slab of reflective glass.
In the dark of the night it was harder for the monster to move about doing the mediocre chores it knew of.  Without the small, cheery lights to give guidance, the monster bashed his feet against furniture, breaking toes and eventually putting fractures to larger bones.  The monster had tools, and eventually puzzled out some simple splints and reinforcements tied together with the old, unused floral print sheets that had lain mouldering on an unused bed.  Walking was still agony, but it was walking.
It was eight in the morning, and the monster sat on the ruined couch, the upholstery so stained with water and rot that the original color was pure mystery.  Staring down at both braced legs, at the gnarled, greyed flesh tied together with unfaltering cording, the limbs matching each other as good as possible from such a piecemeal operation, it wondered deep in a grey mind about how it could fix itself.  Once, when it had broken a table by accident, the creator had simply gone out and come home with a new table.  Could it do the same?  Could it replace what had been broken?
Though none came too close to the old, decaying house just outside of town, or in fact any of the other houses around it, the monster had still seen on some grey days the figures of passing people walking wearily at the roadside not far off.  Thoughts moved sluggishly behind that great forehead, slow to motion, slow to fit together, slow towards resolution.  If a table could be replaced, why not a leg?  Why not more than a leg?
The monster looked around in confusion, seeking direction, seeking the creator to tell it what to do, even after so long a time.  It stared at the half caved-in skull that rested in the kitchen near the sink, and it knew no answer would come as the black sockets stared bleakly back at it.
Why not a leg?
The monster got up, and began to move.

Ch. 2

The brush at the roadside was thick and tall, and where normally small creatures, both predator and prey rustled or lurked or hopped or ambushed now there was only silence and the wind.  The smaller creatures knew Something Was Wrong, and that that something lurked within that brush on motionless, wood reinforced legs.
The wind whistled hollow and the grey sky spattered and spat for four long days before there was motion up the road.  A trio of small, brown clad figures crept along the roadside, the motion of two of them easy but slow, the third hobbled and clumsy as the other two tried to help.  The monster saw the good legs of the healthy ones, and felt an acute pain deep within, a spark of envy surrounded by the grim fear that this might not work.  Wet and grey eyes watched quietly as the trio continued to advance until they were right near it.
The brush made no sound until the massive hand swept through it, creating a crackle crunch of breaking reeds before it clasped the shoulder of the largest figure in a titan’s grip.  As the monster rose with the inevitable certainty of tomorrow’s dead grey dawn, the large of the other two shrieked and grabbed at the wounded one, trying to hustle to safety as the larger male fought the iron grip.
The monster stared down at the person and grey, stitched lips pulled back in what it knew to be a smile and failing with utter certainty to calm the individual held tight.  The words were muddled shouts, dimmed by the mold growing in ancient ears, but the creature knew the captive was telling the others to run.  Why should they run?  It didn’t mean any harm, it just wanted to fix itself.  It just wanted to heal.
Old, fractured bones and strained wood creaked under the additional weight as it struggled back up the hill with a frantic burden held in one huge hand.  Blows rained down from malnourished fists, pummelling dead flesh as unshod feet slipped in the mud and tore up the ground of the steep hill leading up to the dying house.  At the top of the hill, the cries grew more frantic, and it looked down at the captive again, those hollow eyes finding a trickle of blood brought from the pierce of one careless claw.  In the depths of rotting, grey brain the memory of the creator’s death flared, and those emotions came rushing back from a still beating and unholy heart held deep within cracked ribs.  It saw the worry of the captive, a man.  It saw the man’s loss written on his face as bright as a signal fire.  The old neck creaked, the stitches bunching and straining as it turned and looked at the two small brown figures huddled on the other side of the road, one weeping and one howling.  The old heart pounded, the feelings coming from it anything but good or warm, and it sought again the pleading and now quiet brown eyes of the man in its grip.  Tears streamed down that dirty face, lost quickly in the drizzling rain, and soon the monster’s own eyes grew wettened from within.
With a soft nod of apology, the monster set the man back down on his feet, and took a half step back, shoulders slumped in defeat, head hanging loosely on broad, mismatched shoulders.
It began to cry in earnest as the man turned and sprinted for his family, rag clad feet slipping on the churned soil of the hill before he reached the road.  The reunion was short and heartfelt before the three of them made themselves scarce at all the speed they could muster.
Upon the ruined hill next to the dying house, the ancient monster continued to weep.

Ch. 3

The heart hurt.  Every beat within those chipped and strained ribs brought pain and the memory of the loss on the man’s face.  The monster could not make the hurting stop.  It roared, it cried, it smashed the old walnut tree out back, it ripped down the old swing set and hurled it end over end towards the horizon, casting it so far that no sound came if it ever landed.  Massive, knobby, rotting fists pounded resolutely on its chest, trying to beat the pain out, but nothing worked.
So it stood and cried some more, staring at its reflection in the bathroom mirror, the room lit by the faltering afternoon light.  It had never noticed the stitches on its chest before, the Y shape making a silent query as to the contents and purpose of the cut.
But suddenly it knew.  Suddenly, somehow, it knew that through that stitched area lay a solace from the pain.  It brought a monstrous hand up, the claws raking at its chest and digging furrows, but unable to break the stitching itself.  Dim thoughts fired back and forth, old eyes swept around before landing on the rusty straight razor left lonely beside the basin in front of the mirror.
Grey fingers, one still marred by the pale strip of a years-lost wedding band, closed around the handle and raised the rust-spattered blade.  Zip.  Zip.  Ziiiip.  The rusted and uncared for blade moved easily through the strands of sinew, cutting free the lashings that held the chest together.  Cold, sluggish black fluid seeped out slowly for a moment before stopping and oozing back within the cavity, held in place by strong sorceries.
It knew that if its heart didn’t hurt, it could do what it needed to fix itself.  Without that pain, it could heal, and without that pain, it could do what it needed to have done.  A knobby hand began to push through that black and rotting cut, old and clawed fingers seeking deeply past the ribs, past the squamous things that took up life near such unholy magicks as held it in thrall, over the unused lungs, and finally to that soft, pulsing, leathery sack of pain.
Those old and clawed fingers slipped slowly around it and clutched down as the heart continued to beat a regular rhythm, seemingly untroubled by the new neighbor.  The monster sat there, feeling its own heart in its hand for a few moments, puzzling over it, before it gave a harsh, sideways twist of its wrist and wrenched the organ free of the fell cavity.

Ch. 4

After some very painful and troubling trial and error, the monster discovered that it could live as long as it kept the heart in a sack on its hip.  If it strayed too far from the heart, the magicks began to crumble, and it was compelled to return.  To keep it safe, the monster found an old, floral print jewelry box that had survived the ravages of time, and placed the heart within before stowing both in an old plastic sack that still held the name of a trader named Joe that must have passed so long ago.  Within the box, within the sack, hanging from its belt, the heart kept the monster alive but was unable to make it feel the emotions most troubling.  The emotions that would keep it from fixing itself.  Beating quietly, the heart kept on, just out of reach of pain.
The hunt had taken many days before the monster found a body it desired, a tall and reedy creature that moved with quiet swiftness down the game trail near which it lurked.  A crude arrow nocked in a timeworn bow, the creature padded slowly closer and closer, covered mostly in mud that clung wet beneath the constant rains.
Step, step, closer with every moment as the monster watched, the land around silent due to the wrongness of its presence.  The creature felt it too, the monster thought, as it slowed down more the closer it came.  Nearer, and nearer, the monster would have held its breath if it needed to take any.  It waited, one massive hand ready to clutch.  The creature stopped, and began to turn away.  Perturbed, the monster shifted, causing a tiny branch to snap below it.  The creature turned, sighted down the arrow, and fired into the brush the monster sat within.
The shot was random, but well placed for the intent.  It pinned through the ribs, through the back, and through the vacuum that once held a beating and unwholesome thing.  Shocked into motion, the monster exploded forward, one massive hand coming out to swat the bow aside as the other hand planted a rotting palm over the face of the creature and lifted straight up, prying it from its feet.  It struggled, the creature did, small nails ripping gobbets of long dead flesh from old bones as it raked at the arm behind that rotting palm.  The monster simply held on, dangling the creature as it slowly smothered.  At some point, a boot knife came out and drove clean through its forearm without a drop of black blood shed or even a twitch on the face of the monster.  The screams were muffled, panicked, and fell still without much of a wait.  As the monster had guessed, it felt nothing.  Inside a small floral print wooden box within an old plastic sack, something hammered.  Something struggled, and pounded, and in vain fury tried to reach the monster, to insistently point out that this was wrong, that this was not the way things were meant to be.  But the monster, as it intended, felt nothing.  It had problems to fix.
Slowly, the monster turned for home.

Ch. 5

Every time the creator had worked on a new project, everything had to be cleaned relentlessly.  The floors spotless, the tables equally so, each tool cleaned and polished and buffed to a mirror shine, the creator had even been careful to clean the air itself by making it smell funny.  The monster didn’t know how to do these things.  It swept, and swept, but the floor was still stained and bent and weathered from age and abuse.  An old pillow was used to wipe down the table with some rust-colored water from the toilet.  The monster got it as clean as he could.  What tools the monster could find were spotted with oxidization, and most were dull, or creaked when they moved.  Even though its nose was long gone, the monster was relatively certain the air still smelled of rot, and was not clean.
The creature he captured was laid out on the kitchen floor, inert.  A feeble light fought through the broken windows and the rain, throwing sparse shadows behind the two forms that dominated the kitchen.  The monster crouched above the body, making his way one by one through the tools, testing each one to see what it did.  Eventually he happened upon the scalpel, and with slow determination began to pass it through the flesh in the shape of Y on the torso.
Once done, a crude hand ripped open the flesh, tearing it across the body.  Why didn’t it come free so easily as its own ribs had done?  Maybe this was the way of things, the monster was uncertain.  Out of a small, floral print box came a leathery, weakly beating thing, the color grey and lifeless and lacking hope.  Using brute force, the monster crushed a single rib near the sternum and forced the dead but beating organ into the new chest cavity.  An odd and distant wailing whisper began to rise from the lips of the thing below.
Maybe it was a trick of the light when the kitchen began to fade.  Maybe a cloud moved across the sky.  Maybe it was something else.  Black ooze seeped from deep wounds and old, rotted holes all over the monsters body.  Small, wriggling, squamous things fought just under the flesh, seeking a new place to live with an abundant food source.  Old eyes closed, and a shard of a smile touched the remnants of lips long since kissed.
The light began to fade from the room, and the monster felt so very tired.

Ch. 5

Our eyes came open, staring into the rotted face of what we once were.  With horror, we realized the beating heart was still clutched in a death grip, attached to a massive arm, weighed down my a mismatched and tremendous body.  We struggled, we fought, we tried to draw breath and were paralyzed by the pain of the broken rib which braced the wrist of our old husk.  When we could, we raised our hands and struck at the dead weight ineffectually, still trying though we understood the rational futility.  Pinned there, possibly for eternity, slowly we began to talk, and to understand, and to accept each other in our small prison.
And as we did, part of us, the younger part, thought of the outside world in which it had lived.  Of the creatures, and the plants, and the people, and those that continued to struggle to survive in a world wasted by magicks and technologies too horrible to name.  The soft rains continued to fall, pattering all over the now dead house, as timbers creaked and shingles slid free, and small things scuttled here and there.
We closed our eyes, and prayed for scavengers to come clean up the mess that pinned us motionless, unable to act except for speech within our own mind.

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Upcoming Audio Renditions

August 30th, 2011

SUGGESTIONS ARE WELCOME!

So I haven’t been very productive in any way lately, due to a lot of crap rolling around in my noggin.  Tends to distract, life.  But I want to keep doing this, both writing and doing audio work, so I’m going to have to buckle down and tell life to go shove it while I get my word on.

What I’m trying to do is a kind of a “Coming Soon” listing… of favorite short stories and other stuff.  Short stories that are short enough to not have to cause me a heart explosion due to frustration with my Microphone of +10 Epic Feedback.

I would LOVE to know some of your favorite short stories, and while I can’t promise to do everyone, I will look at each of them.  Flash fiction, short stories, poetry, whatever genre… well, maybe not erotica.  Or maybe erotica.  Huh.  I bet I’d be good at that.

Aaanyway.  Post your favorite shorts/flashes/poetries/wetstory below and I’ll see what I can do.

Here’s the short list as it stands, “Guaranteed” means I will for certain do one.

There will come soft rains” by Ray Bradbury – Guaranteed

400 Boys” by Marc Laidlaw -Guaranteed

The Cats of Ulthar” by HP Lovecraft – Guaranteed

Our Neural Chernobyl” by Bruce Sterling

The Anything Box” by Zenna Henderson

Dogfight” by William Gibson

Fragments of a Hologram Rose” by William Gibson – Guaranteed

So please, add whatever short stories you’d like to the list, and I’ll do what I can to accomodate!

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Grandfather Carru

June 28th, 2011

I hate the accent in this one.  But here it is.

Done all in one take.

Grandfather Carru

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